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I'm back from a swing through Connecticut, which took me to Yale on Thursday, and back to my alma mater, Wesleyan University, on Friday.
The reading at Yale University's Sterling library was a good and interesting event for me. Instead of my standard readings (usually stuff from SNoT or ILTY), I read a new and experimental story entitled "Six Graves for Seven Writers," which is set at the graves of six writers whom I have visited, including Melville, Dickens, Poe, Thurber, and Radclyffe Hall. The piece went over fairly well, although I learned that it's not exactly an easy sell to a crowd-- unlike, say, the thing i did in Seattle for the Richard Hugo house last month. It's a tremendous gift to be able to "road test" new work--the Marx brothers used to do this, back in the days of vaudeville-- and I heard all sorts of new things in the Yale piece that will help me as I go about revision, and possibily performing it again.
On Friday I got up and drove up to Wesleyan, where I was to see some old, dear friends, and also to serve as a guest at a dinner honoring the writer Edward P. Jones, whose "The Known World" won the Pultizer a few years back. There were lots of other writers and friends of the college there, and it was an honor to be part of the occasion.
But the thing I wanted to write about was the experience of being back on campus-- I graduated 1980, and did indeed love it at Wes. It was there that I was first encouraged by both faculty and other students to try to be creative, to consider maybe being a writer in this life. I still think of Wesleyan as a magical, odd, haunted, quirky place, full of eccentrics and geniuses and characters. I don't know of any other college like it in the world; I know that getting to go there, when I went there, was one of the great gifts, and turning points of my life.
Given all that, it was also a tremendously hard place to leave. IT's also true that when I think back of my Wesleyan days, I also think of how haunted I was then, as a young person-- trying so hard to "become" my magical creative boy self, but always held back by my secret self, by my knowledge that the thing I really needed to invent was my own self--and I knew that that invention could never be, or so I was convinced back then.
So when I go back to Wesleyan--which I do every four years or so-- I often encounter the ghost of my younger self, and that leaves me melancholy, feeling sorry for the weight I carried, feeling sad about all the lost time.
But this time it was different. I don't know why. But mostly, i felt grateful and happy to be there. IT was a beautiful day-- people everywhere, kids on the hill playing frisbee. As I first walked onto campus, i ran smack into a group of a dozen young women--were they dance majors?--all cavorting and chasing each other and doing somersaults and cartwheels. They were like a dance of spring joy, and all I could do was smile and watch them, and be glad. I kept that feeling the whole afternoon. I was glad to have come so far, glad to be back, glad for all the gifts of life. Above all, I did not want to be 20 again. I was glad I made it to 50 and that I have lived this life-- and look, here we all still are, dancing the dance of spring.
IN the morning I woke up and went to a diner breakfast with my friend and by noon on Saturday was heading back to maine, and home, and my family.
'This dream is short, but happy."
I'm curious. How did you end the "Six Graves for Seven Writers" piece?
ReplyDeletenew ending: the last dead writer is: me. A very short scene in which my boys and spouse pour my ashes into a stream. Dark humor, strangely touching.
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